Visualisation

The idea here is to work with subjective viewpoints. In this case, it was to imagine the following situations:

Talking to someone in a shop. 

We're facing a car seller who is trying to convince us about the benefits of a car that is just behind him. Ought to the importance of his gesture, we're framing only this. The space around him includes the car and its price. However, both elements have been left out at the edges. They are not demanding our attention at this moment. It's only the thing that the car seller is telling us. But, at the same time, the viewer could be aware that they are there. If the shot were wider - as in the right drawing that follows, we would have all the information.

Knocking on a door

Well, we're knocking on a door and waiting. Then the door is opened and we can see someone who is looking at us and giving us kind of a face. In the meantime, we will have seen the door closed and the corridor. It's difficult to imagine what can be out of the frame. At least for the first two frames. Anyway, if the scene doen't belong to a spy film, it can be said that there's nothing more relevant than the door and the guy who is in. 

Having an illicit affair

Given that I'm having an illicit affair, the first shot represents a hot girl under a subdued light. It's possible to see her bust as she is dressed up specifically for this ocassion. Her outfit shows how romantic is the date. There's no need to put anything else on that. Then, we all of a sudden there is a sound that forces me to galnce round, the framing is broaden. In this manner, we can see my misses catching me. The viewer can imagine a living room. This means, the typical stuff such as lamps, sofas, a tv set and the like. Nevertheless, the intention is to reflect the act of catching so everything has been dismissed except the girl entering the room.